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A swirling, trancey fusion of Hawkwind, Hendrix, Loop and Ash Ra Tempel comes somewhere close to describing the psychedelic sounds on 'Moontan', the second Dead Flowers album realeased in 1993 on Mystic Stones records. All tracks have a hypnotic quality to them, ranging from the monster spliff-riffs and snarling vocals of 'Chocolate Staircase' and 'Feed It' to the beautifully spaced-out guitar, flute and percussion of 'Gaia's Love Hole'. This is far-out psych at its finest.
Track listing:
Side A
1. Chocolate Staircase
2. Spiral Eye
3. Filling in Time
4. Thought World
Side B
1. Gaia's Love Hole
2. Hammer Rash
3. Slowburn
4. Feed It
5. Hidden Track
Get it here
Moom were a fantastic prog/jazz/psych band that released two fine albums on Delerium Records in the mid to late nineties.
Actually, Moom hail from my hometown of Northampton, England, so for anyone who's reading this from Northampton (and I know there's a few of you!), let's talk hometown for a moment. 'Toot' was recorded and mixed at 'The Egg Room', the Northampton based recording studio belonging to Robert John Godfrey of 'The Enid' fame. RJG, along with Mike Pool and Max Read, also produced and mixed the album. I mentioned that a few of you reading this are from Northampton. An even smaller number of you will be aware that a band in which I played guitar also recorded a demo at The Egg Room sometime in the mid nineties, where we witnessed the surreal sight of Robert John Godfrey dancing suggestively in front of our rather fey bassist as he was attempting to get his bassline right for the umpteenth time. Was RJG attempting to seduce him? Or was RJG merely responding to our bassist's advances? Hmm...we'll never know for sure, but I know what I think. What's this got to do with Moom and the matter at hand? Absolutely nothing - can't a blogger reminisce for a moment?
Anyway, let's get back to 'Toot'. It's hard to pin down any sort of influences, but it sounds like Moom have spent many a lazy afternoon listening to and jamming along with a shedful of prog, psych and jazz, then reinterpreted it all in a style of their own. Sometimes, they resemble west-coast psychedelia, especially The Grateful Dead and Spirit. Other times, the Canterbury scene comes to mind, stuff like The Soft Machine, Kevin Ayers and Caravan. Throw in some Zappa, add a dash of Funkadelic and you're somewhere close to the sound of 'Toot'. The musicianship is extremely accomplished, the compositions are often very complex, and the production is as clear as a shimmering summer afternoon...which kind of describes the music too, albeit a very English and willfully surreal one. It's a great album and one of Delerium's finest releases.
Track listing:
1. Prelude
2. Sally
3. Astronought
4. The Void is Clear
5. Babbashagga
6. The Higher Sun
7. The Crocodillian Suite
i) The Egg
ii) The Crocodillian
iii) Mayam Riff
8. Waiting For The Sphere
9. Eye
10. I Can't Remember The '60s......I Must Have Been There
Listen to it here, then go and buy it here
Whilst this album isn't anywhere near as hard to find as most of the other offerings on this humble blog, I feel that it justifies its place here through sheer greatness.
Sun Dial, though a 'band' in every sense of the word, is in fact a vehicle for Gary Ramon, songwriter, vocalist, and mean acid guitarist. With Ramon at the helm and his band consisting of whoever felt right at the time, Sun Dial released five albums during the early to mid nineties before Ramon disbanded the group to concentrate on producing records for others. A couple more albums appeared when in 2003 Ramon resurrected the Sun Dial name to finish what he'd started. For me, none come anywhere near to matching the psychedelic majesty of 'Other Way Out', their debut album released on UFO records in 1990.
It's one of the best neo-psych albums around, and is perhaps the one to convince die hard 60s/70s vintage psych freaks that there are indeed some amazing psych albums to be had from the more recent crop of psychedelic bands. 'Other Way Out' contains six tracks of trippy 60s influenced psychedelic rock (subsequent CD releases succumb to the obligatory and rather annoying extra tracks syndrome, but we're going on the original vinyl here).
This album reeks of LSD. Whether this was because Ramon was actually drowning in the stuff or whether he's got a 2:1 in psychedelia is anyone's guess, but whatever, it works. The lyrics to every track sound like they were written whilst halfway through a dayglo patchouli-scented trip. There's phased vocals weaving in and out of phased drums and liquid wah guitar solos chasing distant flutes into deep space. This isn't an album of meandering and drifting sonic journeys though; five of the six tracks are 'songs' proper, with verse/chorus structures. Only the last track, 'Lorne Blues', a bluesy acid-heavy guitar workout of slow riffing and phased drums, dispenses with the discipline and totally freaks out.
'Other Way Out' is a psych classic and not to be missed.
Track listing:
Side 1
1. Plains Of Nazca
2. Exploding In Your Mind
3. Magic Flight
Side 2
1. She's Looking All Around
2. World Without Time
3. Lorne Blues
Listen to it here, then buy it here
It is perhaps an understatement to say that Brad Warner is a man of many and varied talents. Student and teacher of Zen Buddhism, author of two books including 'Hardcore Zen: Punk Rock, Monster Movies and the Truth About Reality', documentary maker, employee at Tokyo-based low-budget monster movie merchants Tsuburaya Productions, blogger for the goth/punk/weird softcore porn site 'Suicide Girls', and, of course, musician, songwriter and performer. Perhaps he is yet to reveal that he is also a qualified embalmer, an astronaut, a cross-dressing lap-dancer at a high class gentleman's club in Islington and centre forward for Real Madrid. Hmmm, we shall see...
The name 'Dimentia 13' was taken from the 1963 Francis Ford Coppola/Roger Corman low budget horror film 'Dementia 13' (notice the vowel change....very important when googling the band...or the film!), and between 1985 and 1991, Brad released five great albums of melodic garage punk and psych-pop, all on Midnight Records.
Dimentia 13's music started out as extremely lo-fi garage punk on the eponymous debut album and finished up as relatively polished psychedelic pop on the final album 'Flat Earth Society'. 'Mirror Mind', released in 1987, belongs to the earlier efforts, dripping with blatant lysergic references, barely a care for the sound production, but containing a set of great and very endearing songs that I dare anyone not to like. It's my favourite Dimentia 13 album. Brad's voice has something in common with the Wayne Coyne school of 'brave' vocals ie if he had to sing to save his life, he'd almost certainly die, but not before he'd belted out his bum notes with confidence and verve.
Highlights? 'Mushroom Season' is a beautiful, fragile and very haunting evocation of an early morning/late evening walk into the valley on the hunt for magic mushrooms, eventually drifting off into dreamy lysergic observations. 'Bug Soup' is all groovy rhythms and acid guitar, kinda reminds me of 'Electric Music' era Country Joe and the Fish. The wall of noise garage punk of 'Mirror Mind'. 'Naked Truth', slow and beatiful, full of backwards guitar and tabla, has a melancholic acid casualty vibe. It's a fine album, and a classic of 80s psych.
Track Listing:
Side 1
1. Mesmerized
2. Can You Hear The Walls Melting?
3. 20 Years Before My Time
4. Mushroom Season
5. Bug Soup (I Will Miss You)
Side 2
1. Psychedelic Mushroom Cloud Explosion
2. Twice The Speed Of Time
3. She's Alright
4. Roolz Is A Rule
5. Mirror Mind
6. Naked Truth
Lo-fi lysergic vibrations here
Looking to experience to purity of the Now in all its simplicity? Or perhaps just after a good read? Then go and buy Brad's books on Zen here.
Next up is Reefus Moons AKA Ross Saxty, one man band, English eccentric and seasoned purveyor of pop music for the mind. Musically and lyrically, Reefus is in the tradition of The Soft Boys/Robin Hitchcock and Syd Barrett. 'The Word Raven', a limited edition LP released in 1991 on Insect Eye Records, contains 10 tracks of finely crafted guitar-driven psych-pop that are a vehicle for Reefus' unique and surreal worldview. Flocks of tractors, life through the eyes of a raven, what if Jesus had been a reptile, tales of gnomes and insects; it's all here.
I've mentioned Robin Hitchcock once, and I'd better mention him again - the influence really is very strong. Reefus' voice is a dead ringer for The Soft Boys frontman, and most songs sound for all the world like lost tracks from 'I Often Dream Of Trains' or 'Black Snake Diamond Role'. And that's no bad thing if you ask me. If whimsical and very English psych-pop is your thing, then you'll certainly find something to like here.
Track Listing:
Side 1
1. Insect Rider
2. Spend Some Time
3. Raven Crauscelene
4. Salamander Raincoat
5. Cormorant In Shades
Side 2
1. Psycho-Gnome
2. Hive
3. Thinking Of You
4. Gardening The Mind
5. The Dinosaur Of Truth
Get it here
For those of you who don't know, 'Russell' is the comic-book creation of British artist and writer Pete Loveday. Since the early 80s, the esteemed Mr Loveday has been charting Russell's rise from perpetually stoned and confused hippy to....err, slightly older perpetually stoned and confused hippy.
Although Russell is indeed the focus of this quite fantastic and very funny series of comics, they are much more than an insight into the paranoia of the habitual spliff-head. Set against the backdrop of the socio-political mess that was Thatcherite Britain, it's an acutely observed insight into England at that time from the point of view of various subcultures that were either around at the time when Thatcherism took hold, or sprang up in reaction to it. The forces of law and order were beginning to turn a disapproving eye towards the festival scene, corporate greed was running riot, media-induced apathy was beginning to set in. Trapped in the middle of all this is Russell, up to his eyeballs in magic mushrooms and riddled with self-doubt. If you were one of those who frequented festivals and/or the associated underground scene during the 80s and early 90s, then you'll be familiar with Russell's world.
When I was in my late teens/early twenties (it feels like a lifetime ago!), I identified with Russell, as I'm sure did many others who followed his adventures. Russell's a good bloke, a peaceful bloke, and life and circumstance have led him to the bustling underground festival scene of the 80s/early 90s - hippies, punks, bikers, rastafarians, CND activists, earth-mothers, spiritual seekers, spiritual charlatans, acid heads, women's libbers, anti-globalization protesters, drug dealers, zen gurus, new-age travellers, self-sufficient smallholders, alternative healers. To Russell, all these people seem secure and confident in their roles, and may even in a worst-case scenario be in on some great secret that Russell has been denied knowledge of.
In Russell's world, nothing ever quite makes sense, nothing ever seems to go his way. He finds himself confused and paranoid, alienated from all, even the sub-cultures in which he has taken refuge. Russell's best friend, Andy the Punk, appears to be more than happy with his lot of sex, drugs and rock'n'roll, which just seems to highlight Russell's problems. His love for politically correct woman's libber, Felicity, is unrequited, and he finds himself constantly trying to avoid the crushing embrace of Eve, an ageing earth-mother, who believes that Russell is her one true soul-mate.
Taking psychedelic drugs by the bucketful doesn't help Russell, but he just can't say no, perhaps wondering if each trip will be the one that finally rids him of his hang-ups and opens up his mind to the beautiful life experiences that those around him seem to be experiencing. Of course, it never happens, and after every trip, he simply returns to being himself - paranoid, perplexed, pissed-off at life but too stoned to do anything about it.
For me, the main thing about the Russell comics is the humour. His adventures are never anything less than hysterically funny. Of course, identifying with our reluctant hero helps in this respect, but regardless, it's very finely observed, very witty, and somehow manages to take the piss out of alternative lifestyles whilst actively promoting them. We have Russell experimented upon, placed in an artificial womb full of amniotic fluid as part of a rebirthing process from which he will supposedly emerge fresh, clean, revitalised and rid of all hang-ups. We have Russell and Andy trying to make a bit of quick cash by setting up a disposable toilet-seat stall at the Glastonbury festival - anybody who's done a festival will know of the infamous sanitary situation. And then there's the 'Russell takes a trip' stories, where we follow him through a series of wild hallucinations, watching his mind disintergrate into a quivering, paranoid wreckage.
For many years, Pete Loveday had a stall at the Glastonbury Festival, where he would sell baccy tins, fimo figurines and, of course, Russell comics. He was also involved to whatever degree in various underground publications and ventures. So, like a lot of great writers, Loveday drew upon his own experiences when writing 'Russell'. How much of Russell himself is in Pete Loveday is anyone's guess, but I like to imagine that he is, or was, as near to the real-life Russell as anyone. And if Pete ever gets to read this, I'd just like to say a big thank you. You've given me a lot of pleasure over the years and made my world a better place.
Russell's adventures can be bought from AKPress, the anarchist and radical book publisher and distributor. Get them here.
Anyone else a fan of Russell and Pete Loveday? I'd love to hear from you, leave a comment!
UPDATE - a brand spanking new Russell website has appeared recently, featuring a new interview with Pete, Russell comix and art available for sale, and talk of new Russell material at some point, if Pete can raise enough money to get it published. What are you waiting for, get over there and spend some cash - http://www.russellsaga.com/index.html
Bristol's psychedelic space explorers The Moonflowers once again doing their funking best to raise levels of consciousness. 'Get Higher' was later released in truncated form on their 1992 'greatest hits' compilation, 'Hash Smits', but here we have the original 1990 EP containing three extended funky grooves designed to assist you in getting higher and higher and higher...
Track listing:
Side A
Get Higher
Side AA
1. Get Higher - The "Rather Large In The Bristol Area" Mix
2. Get Higher - The "Get Dubber" Mix
Get higher here.
Hi! Lophophora Williamsii here! It's that time of year again and my mate Psilocybe Semilanceata has just popped up for a cup of tea. Mmmmmm....nice one Mr. P!
The above is taken from the blurb on the back of this second compilation of spaced-out lunacy from Delerium records. They even managed to get a photo of LW and PS sharing a psychedelic cup of tea. Put the kettle on, Mr. P!
This 1992 release picks up where 'Psychedelic Psauna' left off, featuring 13 tracks from bands that didn't appear on the first compilation, and there's plenty to satisfy psychedelic music fans and discerning fungus-heads. If you're both, then you can't go wrong! My pick of the crop? (err...pun intended) - Mooseheart Faith's 'Thought Dial' is simply a great song. The Watch Children and 14th Wray, much like Australia's Tyrnaround, seemed to have perfected the art of getting a genuine 60s sounding production on genuinely 60s sounding garage-psych songs. The Loop-esque Dead Flowers present us with a great slab of trancey guitar rock, a swirling bad-acid nightmare. Praise Space Electric do their best Hendrix impersonation with a very accomplished and funky variation on 'Crosstown Traffic', and Saddar Baazar do their always welcome 'Spacemen 3 with sitars' thing.
The great artwork for this LP was done by Pete Loveday, who could often be found behind his stall at the Glastonbury Festival selling his wonderful 'Russell - The Saga of a Peaceful Man' comics. I really should go into what Russell was all about, but I think I'll save that for a separate post.
Track listing:
Side 1
1. Boris & His Bolshie Balalaika - Toadstool Soup (Slight Send)
2. Saddar Bazaar - Night Descent
3. Praise Space Electric - Electric Sensation
4. 14th Wray - Yuppie Deadhead Party
5. Harrold Juana - Uncle Sam
6. Dead Flowers - Chocolate Staircase
7. Tangle Edge - Half-Moon Flower
Side 2
1. Watch Children - Did You Feed The Fish?
2. Dean Carter And The High Commission - Government Surplus Jam
3. Omnia Opera - The Awakened
4. The Inn - Who's My Name?
5. Wobble Jaggle Jiggle - Thoughts Of The Sky
6. Mooseheart Faith Stellar Groove Band - Thought Dial
7. Boris & His Bolshie Balalaika - Toadstool Soup (Slight Return)
Have Fun With Mushrooms!
Not a lot of info on this American four-piece. The late 80s/early 90s was their time, they hailed from North Carolina and made 3 or 4 albums of melodic psychedelic pop, west coast style.
I first encountered them via the 1992 Delerium compilation 'Fun With Mushrooms', on which they contributed a track called 'Who's My Name' (great title!). 'Psychedelic Schedule' was their debut album, released in 1987 on Voxx Records. By far the most psychedelic thing about it is the sleeve, an absolute riot of colours and lysergic imagery. The music contained within (excluding 'Roy G Biv'...more on this later) doesn't quite reflect the cover, but it is a good collection of psych-pop songs, fairly lo-fi and relentlessly catchy.
So, 'Roy G Biv'. Within the context of the album, it's like they suddenly forgot that they were making an LP of 4 minute psych-pop gems and included a 25 minute long track that starts like a garage-punk spy theme, then drifts off into 15 minutes of extremely spaced-out drum and guitar, laden with echoes and muffled, abstract noises, before finishing off with more fuzzed-up spy theme madness. Hmm....this must have been when the acid hit...
Track listing:
Side 1
1. Roy G Biv
Side 2
1. Marlwood Lake
2. Infinity's Beginning
3. What's It Like?
4. Mind Confection
5. Soon
Get it here
By the way, apologies for the couple of jumps towards the end of 'Roy G Biv'. Damned mice have been scurrying around in my record collection again.
I first came into contact with this lot in a psychedelic teepee at the Glastonbury music festival in the early 90s. One long hot summer evening, whilst drifting amongst the vegan food tents and the makeshift mini-rave festivals, and as high as a kite after lunching upon a particularly potent bag of welsh mushrooms, all nine of my senses zoned in on this wonderfully spacious groove floating out of this huge rainbow-coloured wigwam, a groove that seemed crafted out of nothing other than pure love. I floated over and poked my head inside, and there they were - The Moonflowers, looking like they'd just landed from 1969 outer space and playing just about the finest mushroom rock I'd ever heard. The song was 'Tighten Up' and I was hooked from that point on.
Praise Space Electric started life as 3 members of The Moonflowers having some improvisational and very psychedelic jazz/funk fun when not doing their stuff with the main attraction. They soon realised that there was room for both The Moonflowers and PSE, and they recorded their first album during ten days of improvisation at a Welsh cottage (Welsh? Hmmm....I wonder why...). Released in 1991, the eponymously titled album was a critical success with both the underground music press and festival heads across the nation. If it wasn't clear before, the fact that this chaotic group of painted freaks were technically and creatively extremely talented most certainly was now.
So, released on The Moonflowers' own Pop God Records, here we have the 1992 follow-up to their debut. 'Cosmic Funky Explosion' is a four track EP of funky psychedelic freak-outs and smooth jazzy jams. Absolutely essential.
Track listing:
Side 1
1. Freak Out
2. Sweetness Sweetness Sweetness
Side 2
1. All My Love
2. Whoop Your Ass
Listen here
2 track 7" that came free with issue 4 of Freakbeat, released in 1988. This time, it's the turn of The Bevis Frond Museum and The Steppes.
The discerning head music afficionado will already be familiar with, if not the music, then the name of The Bevis Frond AKA Nick Saloman, stalwart of the psych music scene, publisher of his own underground music magazine 'Ptolemaic Terrascope' and owner of his own record label 'Woronzow'. Quite the psychedelic entrepreneur! Anyway, what we have here is classic Frond - fuzzy 60s influenced psych pop, laden with memorable acid guitar hooks and led by Saloman's somewhat brave, distinctive and very English vocals.
The Steppes give us a song that starts out as a 60s pop classic but soon reveals itself as a meandering tripped-out mind excursion. Just the thing for an evening in with Mr P!
Track listing:
This Side
The Steppes - History Hates No Man
Other Side
The Bevis Frond Museum - African Violets
Get it here.
Ah, this be Circulus, them folky types with curious lights in their eyes, pluckin' away at their lutes and their citerns, dancing a merrie dance in their Wicker Man vestments, and makin' sweet and strange music like a balm for our feverish mynds...
This 6 track EP was limited to 500 copies only. Released in 1999 before Circulus hit the bigtime with their 2005 witchy mushroomrock classic 'The Lick On The Tip Of An Envelope Yet To Be Sent', it has a much gentler and perhaps more traditional folk sound than their later releases. Acid-tinged folk at it's finest.
Track listing:
1. Little Big Song
2. The True Lover's Farewell
3. My Lady Carey's Dompe
4. Everglade
5. Sombrero Fallout
6. All You People
Get it here.
More free goodies from Freakbeat magazine. The Submarine Prophets give us a nice slice of off-kilter drone rock, like Spacemen 3 covering early Sonic Youth. Nick Riff wades in with a mesmerising mix of fuzzed-up electronica and searing acid guitar, and Nova Express finish off with an always welcome hit of blistering garage punk. Volume on max, or don't bother!
Track listing:
This Side
1. Submarine Prophets - Green Cathedral
2. Nick Riff - The Limitless Light
That Side
1. Nova Express - Let The Power Reach Your Ears
Get it here.
Rare 4 track EP given away by those kind folk at Freakbeat magazine. This one was always my favourite - Viv Akauldren at their most inscrutable, Tyrnaround with what could be every classic psychedelic 7" distilled into one twirling, swirling gem of a song, The Watch Children turning the fuzz dial up to maximum, and Treatment gracing us with the perfect mixture of smooth lounge pop and spaced-out, dreamy reverberations.
Track Listing:
This Side
1. Viv Akauldren - Threading The Needle
2. Tyrnaround - Paragon Smythe
That Side
1. Watch Children - Salvador Dali's Still Dying
2. Treatment - Restless
Get it here
Viv Akauldren were a fantastic three piece from Detroit that released four psych/space rock/punk albums during the mid to late 80s - one pretty solid debut, and three absolute classics. I still can't believe that only one of their albums, 'Vivian's Fountain', has been re-released on CD. There's been a terrible and unforgivable oversight here and if any distributors of top notch psychedelic rock are reading this, what are you waiting for? Snap those rights up!
Released in 1988, 'Witness' is Viv Akauldren's psych-punk album. Faster, louder, more fuzzed-up than their previous offering, the classic 'I'll Call You Sometime', it just grabs you by the throat and hauls you into the middle of a distorted, aggressive and very intense psychedelic wasteland. Jeff Tarlton's great rock vocals are screamed, spoken and whispered, acid guitars cleave your trembling mind in two, Keir Mcdonald's keyboards and electronica provide a suitably spaced-out backdrop, and Deb Agolli's wild drumming keeps things ticking over like a time-bomb about to explode.
Am I making it clear how much I love this band? No? Okay, let me put it like this - your whole life will have been a total waste of time if you never get to hear Viv Akauldren.
Track Listing:
Side 1
1. Brave New World
2. Barnacle Boot
3. Eye Suck
Side 2
1. Looking At You
2. The Means
3. Spare Me
4. Time Out
Witness
Treatment were a much-loved UK space-rock band that, along with other tripped-out freakshows like Ozric Tentacles, The Magic Mushroom Band, Webcore etc, formed in the early days of the 80s psychedelic/festival scene. Their particular brand of lysergic lunacy took the energy of punk, the driving space rock of Hawkwind and the out-there madness of Gong as a starting point, put it all through the Treatment acid mangler, then launched itself into a peculiar and unsettling parallel universe.
Having previously released numerous live cassettes and a few singles, 'Cipher Caput' was their first studio album, released by Delerium in 1993. It's a great album, a true underground classic, and definitely one that rewards repeated listening. Over the years since I bought it, weeks after it was released, I've grown to love it. There's plenty of styles on offer here - the full-on space rock of 'Risky' and 'Damage', the disturbing mind excursions of 'Doubt' and 'Holding On', the graceful and spaced-out beauty of 'Dissolving', and the genuinely funny Arthur Brown-esque 'Boing Song' to name a few. Lyrically and musically, the album leans towards a grittier and more disturbing psychedelia rather than the flowery 'isn't the world a beautiful place?' variety. It would seem that there's some shockingly bad acid gone into the evolution of this band. And on the evidence of this album, that can't be a bad thing. It can't be....can it?....
Track Listing:
Side 1
1. Hidden Attack
2. The Boing Song
3. Risky
4. Dissolving
5. Designer
Side 2
1. Doubt
2. A Better Future For Britain
3. The Big I Am
4. Decay
5. Damage
6. Holding On
Grab it, worship it, then go and spend money on it here if you're feeling flush. Comments are always welcome.
Released in 1991, 'A Psychedelic Psauna' was one of the first releases from Delerium Records, and was a superb 2 LP compilation featuring 23 tracks of the best psychedelic music around at that time. For me, it became the soundtrack to a few wonderful summers spent drifting through a lysergic haze. Lophophora Williamsii was the host, and here's what he had to say on the back cover...GREETINGS FREAKS!Lophophora Williamsii's the name and mynd-blowing's the aim! To those who've never met me before, a BIG HIGH! and to those who know me from the pages of FREAKBEAT magazine, welcome once more to yet another introduction and to this Psychedelic Psauna which is guaranteed to steam your brain, improve your neuro-circulation and cleanse your nervous system.Putting the psychedelics back into psychedelia, that's what a growing number of musicians are doing today and, even tho' the two dimensional, cardboard, back slapping, brain numbingly pretentious music press and (sic) music industry don't like to admit it, such musicians are popular. I hope that there's something of interest within the swirling interior of this creation, for each and everyone.It's taken a long time to connect all of the plumbing, but finally, those FREAKBEAT people have done it and now the steam powered echo-chamber awaits your fragile, eggshell mind. There are many ways to enjoy this musical experience but all of them lead to nirvana. This is an audio-reality interface which allows you to access other realms of reality without actually going there! Add chopped onion and garlic to taste. If you get stuck, take the blue pill. This is your captain speaking.........we don't need the groovy driver. There is the known and the unknown and in-between is the Psychedelic Psauna. Go ride the music baby (I'm riding)...Track Listing:
Side 1
1. A word from our sponsor
2. Sundial - Mind Train Jam
3. Magic Mushroom Band - Don't Be Afraid
4. Nick Riff - Lost & Wild
5. The Petals - Poisoned Air
6. The Porcupine Tree - Linton Samuel Dawson
Side 2
1. Poisoned Electrick Head - Snobs
2. The Bevis Frond - Cold Rain & Snow
3. Alice's Orb - Don't Know If I Should
4. John Fallon - Summers End In San Francisco
5. The Gothics - The Quest
6. Tyrnaround - Hello Or Goodbye
Side 3
1. The Coloured Plank - Black Ferris Wheel
2. Cosmic Kangaroos - Ritual People
3. Reefus Moons - Mr. & Mrs Creature
4. Marshmallow Overcoat - 13 Ghosts
5. Mandragora - Conspiracy
6. Dr Brown - Freakbeat
Side 4
1. Ozric Tentacles - Erp Riff '83
2. The Jasmine Lovebomb - That River
3. Dimentia 13 - Do The Jerk Off
4. The Trodds - The Stalk
5. Treatment - NightmareFeed your head here. Spend cash here.
...and the word was 'psychedelic'.
Back in the late 80s/early 90s, Ivor Trueman and Richard Allen's empire consisted of three psychedelic pillars, each one dedicated to the promotion of 'head music': Freakbeat magazine, the Freak Emporium, and Delerium Records.
Freakbeat came first in the late 80s and was a lysergically-enhanced and unfortunately short-lived magazine that gave page space to a whole load of new psychedelic bands from around the world. Every page required utmost concentration, mostly due to the brain-melting explosion of colours, fractals, patterns and artwork that lay right behind the text. Sometimes it was mind-expanding, other times headache inducing. Always, it was well-written, exhaustively researched and crafted out of a deep love and respect for the music. A flexi-disc was often included showcasing some of the bands interviewed. It soon became clear that a 3 or 4 track flexi disc was not enough to fully explore and promote the new and exciting psychedelic bands that were emerging at that time.
In the early 90s, The Freak Emporium and Delerium Records were born to rectify that situation. Delerium records to get the bands recorded, and the Freak Emporium to distribute them. After initial success with the 'Freakbeat' bands, the Freak Emporium soon expanded into other areas, selling classic psychedelia, punk rock, krautrock, soul, tropicalia, ambient, electronica, avant garde, garage punk, exotica, acid folk, psytrance, black metal and more. As for Delerium Records, they ended up selling over 250,000 records! Not bad for what was a cottage industry built upon a deep passion for the music they were promoting rather than a love of the filthy lucre.
Sadly, all three are now defunct. Freakbeat magazine was discontinued in 1993 after 8 issues, Delerium records stopped business in 2001, and The Freak Emporium finally and reluctantly closed their doors for the last time in 2007. Reasons? From the website "...eventually, the pressures of corporate business and the stupidity of the British Governement has led to the untimely demise of the business." A sad day indeed, but the memory of Trueman and Allen's endeavours continue to echo within the minds of all those who were lucky enough to have come into contact with them and the great music that they promoted.
